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At the Korean Pavilion at the 61st International Art Exhibition of La Biennale di Venezia, artists Goen Choi and Hyeree Ro expand on their respective uses of industrial and elemental materials to reframe liberation as an ongoing process.

Maya Man and Lynn Hershman Leeson talk AI, “not art,” and making art that uses and speaks to your technological reality.

Whitney Biennial 2026 co-curators Marcela Guerrero and Drew Sawyer walk us through how they designed the Biennial as a series of affective spaces that embody relationality as the exhibition’s overarching theme. They leveraged color and scale to develop compositions that encourage emotional connections. Throughout the exhibition, relationality is conveyed through the stark contrasts and soothing harmonies.

This film offers a sonic and spatial journey through Prayers to Fornax: Science, Technology and Spirituality. Guided by curatorial narration, it brings together all nine works on view by eight artists and collectives, inviting audiences to move between science and spirituality and explore alternative ways of understanding the technological world.

Featuring works by June Balthazard and Pierre Pauze, Chen Zhe, Natasha Tontey, Riar Rizaldi, Zach Blas, Nolan Oswald Dennis, Haroon Mirza, and Suzanne Treister, the film unfolds as an immersive experience of the exhibition.