Kohui: Record for Disappearing Beings

Artist Kohui presents an evocative audiovisual project dedicated to endangered and indigenous plants in Korea. This innovative work features three original tracks, each inspired by the distinct characteristics of a plant species or natural ecosystem. To create this project, Kohui embarked on a transformative journey to Jeju Island, collaborating with ecologists from Korea’s National Institute of Ecology (NIE) and venturing into the island’s unique landscapes — including Hallasan Mountain and Bijarim Forest — to encounter these rare species in their natural habitats. By merging sound, science, and technology, Kohui conceived of an ‘algorithm score’ for each plant. Similar to the concept of a graphic score, which notates music using symbols, words, signs, and sometimes notes rather than a traditional five - line staff, these algorithm scores translate data from each plant’s fractal growth patterns, survival strategies, and environmental conditions into musical and visual compositions. Each track, composed of interwoven visuals and sound, reflects the unique qualities of the plants while also capturing the broader ecosystems these endangered species inhabit. These digitally orchestrated harmonies celebrate the resilience, beauty, and history of endangered plants while expanding our perception of nature by using sound to reveal the often invisible dynamics of these organisms. The culminating record offers an immersive exploration of Korean ecological history that emphasizes the interconnectedness of nature.

Kohui’s work highlights the hidden beauty of endangered species while raising public awareness about the vital importance of biodiversity conservation. This project continues his interest in exploring natural processes via digital tools to create a universal language that transcends interpretation, allowing audiences to experience and connect with the environment in a deeper, more intuitive way. Through Kohui’s experimental album, this digital commission aims to advance public engagement with environmental challenges through technology and creativity.

Clique: Mankyua chejuense

I found its clustered growth pattern beautiful. Since it clones itself, I amusingly thought that even if there’s only one individual, it wouldn’t feel lonely like other plants might.

Penumbra: Oberonia japonica

This plant is not easily found; you need to look up and carefully inspect the trees, as it often hides in areas without much light. However, sometimes, light catches it, revealing its presence. This made me think of how it exists on the boundary between light and shadow, revealing and hiding itself.

Flow: Liparis auriculata

There’s a stream flowing in front of where the Liparis auriculata grows, and in the distance, I can hear the sound of passing cars. I imagined the Liparis auriculata observing these flows and listening to the water.